Fifteen years after their last full-length, Clipse return with Let God Sort Em Out, an album that reaffirms their legacy while pushing their artistry into new territory. The Virginia duo Pusha T and Malice step back into the spotlight under Roc Nation, and the result is a project that feels both nostalgic and urgent.

From the opening moments, it’s clear Pharrell Williams’ production is the album’s anchor. His beats retain the Neptunes’ sleek polish but are layered with darker, more textured elements that echo the brothers’ maturity. The opener, The Birds Don’t Sing, veers toward commercial gloss, but the rest of the record leans into the grit that defined Clipse’s reputation. Tracks like King’s Ransom and Ashes on the Ledger are sharp with street reportage, balancing menace with reflection.

Guest features are used sparingly but effectively. Nas delivers a razor-sharp verse that underscores the album’s themes of survival and moral reckoning, while Tyler, the Creator injects an off-kilter edge without disturbing the duo’s chemistry. Instead of overshadowing, these appearances highlight Clipse’s ability to remain commanding even alongside modern heavyweights.

Lyrically, Let God Sort Em Out thrives on duality. Pusha’s precise, biting delivery contrasts with Malice’s reflective tone, often circling questions of redemption versus temptation. Their interplay feels lived-in, like two perspectives on the same storm. What’s striking is how seamlessly they pick up their dynamic after such a long absence; the years apart seem to have only sharpened their storytelling.

Ultimately, the album is a triumph. It bridges past and present, reminding listeners of Clipse’s influence while offering something vital in today’s hip-hop landscape. Far from a mere reunion record, Let God Sort Em Out is a bold statement of relevance and one of the year’s standout rap releases.