GENRE; Alt-Folk/ Folk Rock/ Acoustic/ Acoustic Rock/ Cinematic/ Political
RELEASE DATE; 16 October, 2026
RATING; 4.2/5
Twelve tracks of questionable characters, toxic relationships and dark humour shape More People Than Teeth, a debut album that finds plenty of inspiration in the less respectable corners of British life. The Early Swerve combine folk-punk energy with infectious melodies, acoustic arrangements, violin and rich vocal harmonies, creating a collection that balances catchy songwriting with stories of deeply flawed individuals. Beneath the humour lies a willingness to confront unpleasant behaviour, personal consequences and the messier realities of everyday life, giving the album a personality that extends beyond its sing-along appeal.
“Past the Post” introduces the tension between an infectious melody and the darker realities of a toxic relationship, while “6 of 12 for You” explores misogyny through a catchy chorus that makes its subject all the more striking. “In a League of His Own” takes its character study further, shifting between the husband’s perspective, the band’s response and his wife’s opportunity to speak. Elsewhere, “Literary Reference” embraces grubby comedy, while “Horrible People” examines the darker side of human nature. These tracks establish a collection in which questionable characters become the subjects of sharply observed, distinctly British storytelling.
Beyond its character-driven songs, the album makes room for experimentation and more expansive arrangements. “Father of the Chapel,” inspired by the Wapping print dispute, develops from a traditional verse-and-chorus structure into an extended cinematic finale featuring strings, piano and layered vocals. “Extra Time” explores an unusual 5/4 time signature, revealing a more atmospheric side, while “Release the Hounds” incorporates reversed tape, sound effects and experimental analogue techniques. Recorded to analogue tape at Gizzard Recording in London, the album expands its acoustic foundations with additional strings, piano and female backing vocals without abandoning its distinctive character.
Later tracks broaden the album’s emotional and narrative range. “I’m Not Walter Mitty” approaches relationship troubles through an upbeat, melodic perspective, whereas “We Take Our Time” examines excessive drinking, its destructive aftermath and the uncomfortable reflection that follows. “The Barn Dance” captures the chaos of an unpleasant Friday-night pub, and “A Song for Leonard” closes the collection with another character caught up in questionable choices and local villainy. More People Than Teeth ultimately brings together memorable melodies, dark comedy and inventive arrangements, building a distinctive portrait of British life through twelve songs that refuse to make their characters more respectable than they are.
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